Local Seasoning

     Local artists have their seasons. Fall is one of them. Why? They are enthused by the prospect of actually hearing the words, "I love this piece, I'll take it!" We artists are very motivated when we sell art. When we do, our artistic output gets more flavorful. "Wherein shall our local art cuisine be flavored if our artists lose their seasoning?" How will the art movement in Southern Utah be nurtured and perpetuated if locals choose "Made in China" over local offerings?
      Spread the word, blog your friends, help out our local artistic flavorings! Next week is the Art Walk and Watercolor Artists show downtown. If everyone bought just 20 or 30 dollars worth, that alone would generate thousands in revenue for our local artists. How wise you are in seeing the value of purchasing local creations over the "Asian alternatives." Please support our local artists.

Age of Neglect

Ask a rocket scientist to draw a tree or a house. Very likely, he or she, would draw very much the same tree or house,  the way they drew it at age seven years old. What happened along the way? Why do 90% of older people are unable to conjure up a real looking drawing? They don’t want to actually. Their artistic mind for creating gave up around age 11 or 12. Here’s why.

The creative processing of a brain at 5 to 8 years old is extremely active. Page after page of colorful, random 2 dimensional artworks can easily cover any family refrigerator when a grade schooler is encouraged. Or, they can waste those creative years at computer game screens where nearly zero creativity is required. 

At age 9-10, artistic children tire quickly of doing the same art. They want realism. The images 3-dimensional art yet don’t know the basics. They try to draw realism but dislike the results. Most kids quit altogether, embarrassed by their attempts at art. What might be the solution for this?

Phil has taught realism and surrealism in a private school years ago in Las Vegas. The 9-10 year olds were extremely excited and engaged to learn the simple steps to shading, perspective, and 3-dimentional drawing. If your child is good at art and is approaching nine, don’t let them quit. Get them some advanced training.

 

Don't miss this one!

Sunbrook Ranch Complex is throwing a 2 day sale! We will have art from 40-80% off! We will have free mats, frames, and prints. There will be free drinks and snacks, and who knows what else! There will be other vendors with hundreds of items. Come Friday or Saturday, Sept. 19th and 20th, 8am to Noon. 415 S. Dixie Dr, just one block north of Valley View.

Shutterbug Workshop

ARTe Gallery is hosting photography classes given by professional photographer Raymond Muzzy. There will be 5 sessions; Exposure, Light and Color Control, Focusing Basics, Composition, NIght Scenes, Slot Canyons, Fall Colors, Florals, and Waterfalls will be covered.

Take one session, or take all 5 and get a big discount. ARTe endorses Raymond, having seen his work the last 2 years. It is very impressive. We are confident you will appreciate his expertise in teaching photography. Call to reserve your sessions at 435-669-8871. Email is raymondmuzzy@yahoo.com for any questions.

Memories Re-gifted

Several years ago, while exploring the outdoors with my 6 year old daughter, she picked up a large maple leaf off the ground. We had quite a discussion about the unnatural find. It had obviously blown a long distance to settle here in the dry desert. She thought a whirlwind brought it from far away. She carried it home and left it on the kitchen table.

Sixteen years later, that same leaf is in a frame on our kitchen wall. The date is written on the mat below the leaf. Our daughter will be married next year. That framed leaf, along with my hand-written message on the back, will hopefully stir her emotions a bit when she unwraps it.

Small keepsakes are best kept when they are properly preserved, then gifted to the right person at the right time.

Hidden "Treasures?"

About 6 years ago, I received a call at our gallery from a very excited gentlemen. He was elated over his latest art find. Apparently, he happened upon 6 antique paintings by the famous western artist Charles M. Russell. The signatures were authentic, and the paintings were safely stored in a vault. I grew more and more excited that he was going to have us fame all 6 paintings.

The man called after 2 weeks and said he was bringing his prized paintings in the next day. He arrived carrying a large, flat box. He shook my hand, and then began to unveil his treasures on my framing counter. One by one he showed me the  paintings. I just didn't have the heart to tell him yet, so I asked how much he paid for them. He said it was a "super deal" at $650 a piece.

Finally, I had to be the bearer of bad news and tell him: "What you have here are Circa 1960 vellum and acrylic-coated mounted prints. They're worth approxipately $75 each."

"No!" he insisted, "These are worth more than that!"

"Sorry," I quickly returned, "but they just aren't what you thought." He stared blankly at me in shock. His mumbling and expressions were priceless. I nearly broke into a laugh, but decided against it. After several minutes of consoling, he slowly gathered his faux-treasure and whimpered out the door. I just couldn't believe he had mistaken crappy prints for originals. Collectors, beware, seek advice first. Until next week, happy hunting.

The "Z" Effect

The process of removing a printed image from paper and securing  it onto canvas began decades ago. These "canvas transfer" process gained popularity and momentum  in the late 70s on through to the early 90s. The acrylic gel coating used on the canvas was generally an inferior product that yellowed, causing the image to fade. Jet printers infused the industry in the mid 90s. It produced a clean, clean reproduction onto canvas that phased-out the transfer process. UV coating became a standard in jet printing, thus preserving dyes and pigments from fading.

Z-gel, and other acrylic gels, can be rolled or brushed onto mounted paper prints. The "Z-effect" replaces glass, doesn't glare, and has a UV barrier that saves the print dyes from fading. ARTe has enjoyed the "Z-effect" for over 15 years, producing great results similar to an "original art" look at a very reasonable cost for clients. It's a must see at ARTe Gallery. Come by or call us.